Title
Cited by
Cited by
Year
" Play, but don't play games!": The Meisner Technique Reconsidered
H Halba
Theatre Topics 22 (2), 127-136, 2012
112012
Creating iMages and telling stories: deColonising perforMing arts and iMage-Based researCh in aotearoa/neW zealand
H Halba
About Performance, 193-211, 2009
102009
Tu Taha, Tu Kaha: Transcultural Dialogues
H Halba, R McCallum, H Holmes
Australasian Drama Studies, 69-87, 2011
72011
Robert Lord's New York: Big and small, notes on life and art
H Halba
Australasian Drama Studies, 33-41, 2012
62012
Performing Identity: Teaching Bicultural Theatre in Aotearoa
H Halba
Australasian Drama Studies, 22-37, 2010
62010
Theatre as an artistic intervention in post-trauma situations: Hush: A verbatim play about family violence
H Halba, S Young, C Diver, E Newlands, S O’Connor, D Still
Applied drama/theatre as social intervention in conflict and post-conflict …, 2014
52014
Aspects of bicultural theatre praxis in Aotearoa/Te Waipounamu
H Halba
MA Thesis, University of Otago, Dunedin, 2007
42007
The flames of hope: The representation of prophecy in two New Zealand plays
H Halba
Australasian Drama Studies, 44-58, 2009
32009
Stanislavsky and the Pedagogy of Play
H Halba
Stanislavsky and Pedagogy, 36-55, 2024
2024
Moving Islands: Contemporary Performance and the Global Pacific, Diana Looser (2021)
H Halba
Journal of New Zealand & Pacific Studies 11 (1), 97-99, 2023
2023
WAIORA: TE ŪKAIPŌ–THE HOMELAND
H Halba
Australasian Drama Studies, 406-413, 2020
2020
Theatre of Real People: Diverse Encounters at Berlin’s Hebbel am Ufer and Beyond by Ulrike Garde and Meg Mumford (London: Bloomsbury, 2016)
H Halba
Performance Paradigm 14, 149-153, 2018
2018
Australasian Drama Studies 73 [co-editor of reviews]
J Woollard, H Halba
University Of Tasmania, 2018
2018
Remaking Pacific Pasts: History, Memory, and Identity in Contemporary Theater from Oceania. By Diana Looser. Honolulu: University of Hawaiʻi Press, 2014. Pp. xiv+ 305+ 19 illus …
H Halba
Theatre Research International 42 (1), 101-102, 2017
2017
Poetry, politics, the past and the present: Interweaving Maori postcolonial theatre with Bertolt Brecht in Kilimogo’s production of Apirana Taylor’s Whaea Kairau: Mother …
H Halba
Journal of New Zealand & Pacific Studies 3 (2), 133-148, 2015
2015
DON'T MENTION CASABLANCA
H Halba
Australasian Drama Studies, 287, 2015
2015
CHAPTER SIX THEATRE AS AN ARTISTIC INTERVENTION
H HALBA, S YOUNG
Applied Drama/Theatre as Social Intervention in Conflict and Post-Conflict …, 2014
2014
STRANGE RESTING PLACES
H Halba
Australasian Drama Studies, 206, 2013
2013
Number Two and Bare
H Halba
Australasian Drama Studies, 217, 2008
2008
and what remains
H Halba
Australasian Drama Studies, 211, 2008
2008
The system can't perform the operation now. Try again later.
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