Body, Soul and Cyberspace in Contemporary Science Fiction Cinema: Virtual Worlds and Ethical Problems S Magerstädt Palgrave, 2014 | 21 | 2014 |
Philosophy, Myth and Epic Cinema: Beyond Mere Illusions S Magerstädt Rowman & Littlefield International, 2014 | 17 | 2014 |
TV antiquity: Swords, sandals, blood and sand S Magerstädt Manchester University Press, 2019 | 10 | 2019 |
Love thy extra-terrestrial neighbour: Charity and compassion in Luc Besson’s space operas The Fifth Element (1997) and Valerian and the City of a Thousand Planets (2017) S Magerstädt Religions 9 (10), 292, 2018 | 2 | 2018 |
Upload, Cyber-Spirituality and the Quest for Immortality in Contemporary Science-Fiction Film and Television S Magerstädt Religions 15 (1), 109, 2024 | | 2024 |
Introduction: The Ancient Classical World from Film to Television S Magerstädt, MS Cyrino Journal of Popular Film and Television 51 (1), 2-7, 2023 | | 2023 |
Tall Tales—Myth and Honesty in Tim Burton’s Big Fish (2003) S Magerstädt Humanities 11 (6), 138, 2022 | | 2022 |
Humility and Greatness in Damien Chazelle’s First Man S Magerstaedt Film-Philosophy 26 (2), 130-148, 2022 | | 2022 |
Riding East—Western Myths, Nostalgia, and the Crossing of Generic Boundaries in Hidalgo (2004) S Magerstädt Journal of Film & Video 74 (1-2), 48-60, 2022 | | 2022 |
From Impulse to Action—Noah (2014) and Exodus: Gods and Kings (2014) as Secular Bible Epics S Magerstädt Religions 12 (11), 1025, 2021 | | 2021 |
Oxford Dictionary of Film Studies by Annette Kuhn & Guy Westwell S Magerstädt Film & History: An Interdisciplinary Journal 45 (1), 111-112, 2015 | | 2015 |
Illusions for life: on the importance of illusions for our life and the role of cinema in creating these illusions S Magerstädt University of Westminster, 2011 | | 2011 |
Winfried Pauleit, Christine Rüffert, Karl-Heinz Schmid, Alfred Tews, eds.(2009) Das Kino träumt: Projektion, Imagination, Vision/Cinema Dreams: Projection, Imagination, Vision S Magerstädt Film-Philosophy 14 (1), 462-467, 2010 | | 2010 |
Lyden, John C. Film as Religion: Myths, Morals, and Rituals S Magerstaedt Communication Research Trends 27 (1), 40-42, 2008 | | 2008 |
Characters create plot"-Lajos Egris" The Art of Dramatic Writing" als Drehbuchtheorie und seine praktische Anwendung am Beispiel von Billy Wilders Film „Sunset Boulevard S Magerstädt GRIN Verlag, 2007 | | 2007 |