Repetition in performance: returns and invisible forces E Kartsaki Springer, 2017 | 27 | 2017 |
On Repetition Writing, Performance and Art E Kartsaki Intellect (UK), 2016 | 22 | 2016 |
On repetition E Kartsaki, T Schmidt Performance Research 20 (5), 1-3, 2015 | 10 | 2015 |
Slots, slaps, sluts and other cheap thrills: Promiscuity, desire and labour in one-to-one performance E Kartsaki, R Zerihan Performing Ethos 3 (2), 155-171, 2012 | 9 | 2012 |
Generous Gestures and Frustrated Acts: Ethics in one-to-one Performance E Kartsaki, R Zerihan, B Lobel Performing Ethos 3 (2), 99-105, 2012 | 5 | 2012 |
Repeat repeat: Returns of performance in the work of Lone Twin Theatre E Kartsaki Choreographic Practices 3 (1), 119-138, 2012 | 3 | 2012 |
Repeat repeat: returns of performance. E Kartsaki | 3 | 2011 |
Rehearsals of the Weird: Julia Bardsley’s Almost the Same (Feral Rehearsals for Violent Acts of Culture) E Kartsaki Contemporary Theatre Review 30 (1), 67-90, 2020 | 2 | 2020 |
Farewell to Farewell: Impossible Endings and Unfinished Finitudes E Kartsaki Intellect (UK), 2016 | 2 | 2016 |
Mis-appropriation and re-appropriation: an interview with Oreet ashery E Kartsaki Journal of Adaptation in Film & Performance 7 (2), 225-240, 2014 | 1 | 2014 |
One-to-one Encounters: Desire, Reciprocity and Ethics E Kartsaki, R Zerihan, B Lobel Intellect, 2012 | 1 | 2012 |
Writing and Re-Writing: Performance Returns E Kartsaki Activate 1 (1), 1-9, 2011 | 1 | 2011 |
Obsessions of a Showwoman: The Performance Worlds of Marisa Carnesky E Kartsaki Intellect, 2024 | | 2024 |
Rehearsals of the Weird: Julia Bardsley's Almost the Same (feral rehearsals for violent acts of culture)(vol 30, pg 63, 2020) E Kartsaki CONTEMPORARY THEATRE REVIEW 30 (2), 302-302, 2020 | | 2020 |
Practicing Companionship, Weird Families, Fictional Kinship E Kartsaki LIve Art Development Agency, 2020 | | 2020 |
On Children E Kartsaki Performance Research 23 (4-5), 16-19, 2018 | | 2018 |
Staging Queer Feminisms: Sexuality and Gender in Australian Performance, 2005-2015 E Kartsaki Contemporary Theatre Review 28 (3), 417-418, 2018 | | 2018 |
Performance Returns E Kartsaki, E Kartsaki Repetition in Performance: Returns and Invisible Forces, 95-133, 2017 | | 2017 |
After Lacan E Kartsaki, E Kartsaki Repetition in Performance: Returns and Invisible Forces, 135-153, 2017 | | 2017 |
After Stein E Kartsaki, E Kartsaki Repetition in Performance: Returns and Invisible Forces, 67-94, 2017 | | 2017 |