| Embodied aesthetics in auditory display S Roddy, D Furlong Organised Sound 19 (1), 70-77, 2014 | 56 | 2014 |
| Mapping for meaning: the embodied sonification listening model and its implications for the mapping problem in sonic information design S Roddy, B Bridges Journal on Multimodal User Interfaces 14 (2), 143-151, 2020 | 22 | 2020 |
| Addressing the Mapping Problem in Sonic Information Design through Embodied Image Schemata, Conceptual Metaphors and Conceptual Blending S Roddy, B Bridges The Journal of Sonic Studies, 2018 | 15 | 2018 |
| Embodied sonification S Roddy Trinity College Dublin, 2016 | 15 | 2016 |
| Sounding Human with Data: The Role of Embodied Conceptual Metaphors and Aesthetics in Representing and Exploring Data Sets S Roddy, B Bridges | 14 | 2016 |
| Sonification listening: An empirical embodied approach. S Roddy, D Furlong ICAD, 181-187, 2015 | 12 | 2015 |
| Sound, Ecological Affordances and Embodied Mappings in Auditory Display S Roddy, B Bridges | 10* | |
| Rethinking the transmission medium in live computer music performance S Roddy, D Furlong Irish Sound Science and Technology Convocation, Dún Laoghaire Institute of …, 2013 | 9 | 2013 |
| Embodied cognition in auditory display S Roddy, D Furlong Proc. ICAD, 2013 | 7 | 2013 |
| Embodied auditory display affordances S Roddy, D Furlong Sound and Music Computing, 2015 | 6 | 2015 |
| The Design of a Smart City Sonification System using a Conceptual Blending and Musical Framework, Web Audio, and Deep Learning Techniques S Roddy, B Bridges The International Conference on Auditory Display, 2021 | 4 | 2021 |
| Signal to noise loops: A cybernetic approach to musical performance with smart city data and generative music techniques S Roddy Leonardo 56 (1), 87-94, 2023 | 3 | 2023 |
| Absolute Nothingness: The Kyoto School and Sound Art Practice S Roddy Invisible Places 1 (2), 157-173, 2017 | 3 | 2017 |
| Using Conceptual Metaphors to Represent Temporal Context in Time Series Data Sonification S Roddy Interacting With Computers, 2020 | 2 | 2020 |
| Signal to Noise Loops i++: Noise Water Air S Roddy xCoAx 6th Conference on Computation, Communication, Aesthetics & X, 237-240, 2018 | 2 | 2018 |
| Composing The Good Ship Hibernia and the Hole in the Bottom of the World S Roddy Proceedings of the 12th International Audio Mostly Conference on Augmented …, 2017 | 2 | 2017 |
| Creative Machine-Human Collaboration: Toward a Cybernetic Approach to Artificial Intelligence and Machine Learning Techniques in the Creative Arts S Roddy AI and the Future of Creative Work, 18-35, 2023 | 1 | 2023 |
| Meaning-making and embodied cognition in sound design research S Roddy, B Bridges Doing research in sound design, 21-36, 2021 | 1 | 2021 |
| Vowel Formant Profiles and Image Schemata in Auditory Display S Roddy, D Furlong British Human Computer Interaction Conference, 2018 | 1 | 2018 |
| Interview: Nao Tokui in Conversation with Stephen Roddy S Roddy Resonance: The Journal of Sound and Culture 4 (4), 409-412, 2023 | | 2023 |
Brian BridgesResearch Director (Music, Drama, Film/Screen), Senior Lecturer (Music/Audio), Ulster UniversityVerified email at ulster.ac.uk
