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Takahiko Tsuchiya
Takahiko Tsuchiya
Georgia Institute of Technology
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Cited by
Cited by
Year
Data-to-music API: Real-time data-agnostic sonification with musical structure models
T Tsuchiya, J Freeman, LW Lerner
Georgia Institute of Technology, 2015
242015
Using massMobile, a flexible, scalable, rapid prototyping audience participation framework, in large-scale live musical performances
J Freeman, S Xie, T Tsuchiya, W Shen, YL Chen, N Weitzner
Digital Creativity 26 (3-4), 228-244, 2015
132015
Collaborative coding with music: Two case studies with EarSketch
A Sarwate, T Tsuchiya, J Freeman
Proceedings of the Web Audio Conference, 2018
112018
Data-driven live coding with datatomusic api
T Tsuchiya, J Freeman, LW Lerner
Proceedings of the Web Audio Conference, 2016
112016
Turn-taking and Online Chatting in Co-located and Remote Collaborative Music Live Coding
A Xambó, G Roma, P Shah, T Tsuchiya, J Freeman, B Magerko
Audio Engineering Society, 2018
52018
Multi-modal web-based dashboards for geo-located real-time monitoring
RM Winters, T Tsuchiya, LW Lerner, J Freeman
J. of the 2nd Web Audio Conf, 2016
52016
Spectral Parameter Encoding: Towards a Framework for Functional-Aesthetic Sonification
T Tsuchiya, J Freeman
Proceedings of the 23rd International Conference on Auditory Display, 2017
12017
Composing and Decomposing Electroacoustic Sonifications: Towards a Functional-Aesthetic Sonification Design Framework
T Tsuchiya
Georgia Institute of Technology, 2021
2021
EFFECTS OF UNPREDICTABILITY ON PERCEIVED UNCOMFORTABLENESS IN SOUNDS
L Tang, J Niu, Y Yan, C Wang, T Tsuchiya
Turn-taking and Online Chatting in Co-located and Remote Collaborative Music Live Coding
G ROMA, P SHAH, T TSUCHIYA, J FREEMAN, B MAGERKO
Encoding Data into Sound and Music: A Live-Coding Approach
T Tsuchiya, J Freeman
A STUDY OF EXPLORATORY ANALYSIS IN MELODIC SONIFICATION WITH STRUCTURAL AND DURATIONAL TIME SCALES
T Tsuchiya, J Freeman
Adapting DAW-Driven Musical Language to Live Coding: A Case Study in EarSketch
T Tsuchiya, A Xambó, J Freeman
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Articles 1–13