| Neoliberalism and global cinema: capital, culture, and Marxist critique J Kapur, KB Wagner Routledge, 2011 | 97 | 2011 |
| China's iGeneration: cinema and moving image culture for the twenty-first century MD Johnson, KB Wagner, T Yu, L Vulpiani Bloomsbury Academic, 2014 | 43 | 2014 |
| Introduction: Neoliberalism and global cinema: Subjectivities, publics, and new forms of resistance K Jyotsna, KB Wagner Neoliberalism and Global Cinema, 1-16, 2011 | 36 | 2011 |
| Mainlandization and neoliberalism with postcolonial and Chinese characteristics: Challenges for the Hong Kong film industry MM Szeto, Y Chen Neoliberalism and Global Cinema, 239-260, 2011 | 33 | 2011 |
| Twenty-first century neoliberal man D Tudor Neoliberalism and global cinema, 59-75, 2011 | 30 | 2011 |
| “For a Better Deal, Harass Your Governor!”: Neoliberalism and Hollywood T Miller, R Maxwell Neoliberalism and Global Cinema, 19-37, 2011 | 19 | 2011 |
| District 9, race and neoliberalism in post-apartheid Johannesburg KB Wagner Race & class 57 (2), 43-59, 2015 | 16 | 2015 |
| A legacy of neoliberalism: Patterns in media conglomeration ER Meehan Neoliberalism and Global Cinema, 38-58, 2011 | 16 | 2011 |
| Beyond Hallyu: Innovation, Social Critique, and Experimentation in South Korean Cinema and Television J Kim, MA Unger, KB Wagner Quarterly Review of Film and Video 34 (4), 321-332, 2017 | 15 | 2017 |
| Endorsing upper-class refinement or critiquing extravagance and debt? The rise of neoliberal genre modification in contemporary South Korean cinema KB Wagner Critical Arts 30 (1), 117-138, 2016 | 14 | 2016 |
| Jia Zhangke's neoliberal China: the commodification and dissipation of the proletarian in The World (Shijie, 2004) KB Wagner Inter-Asia Cultural Studies 14 (3), 361-377, 2013 | 14 | 2013 |
| Introduction: China’s igeneration cinema KB Wagner, T Yu, L Vulpiani China’s iGeneration: Cinema and Moving Image Culture for the Twenty-first …, 2014 | 11 | 2014 |
| Train to Busan (2016): Glocalization, Korean zombies, and a man-made neoliberal disaster KB Wagner Rediscovering Korean cinema, 515-532, 2019 | 10 | 2019 |
| The underdevelopment of development: Neoliberalism and the crisis of Bourgeois individualism J Kapur Neoliberalism and Global Cinema, 197-216, 2011 | 10 | 2011 |
| TikTok and its mediatic split: the promotion of ecumenical user-generated content alongside Sinocentric media globalization KB Wagner Media, Culture & Society, 2023 | 9 | 2023 |
| The 3-D Animated Codescape: Imperfection and Digital Labor Zones in Wall-E (2008) and Wreck-It Ralph (2012) KB Wagner, I Jang Animation 11 (2), 130-145, 2016 | 9 | 2016 |
| Globalizing discourses: Literature and film in the age of Google KB Wagner Globalizations 12 (2), 229-243, 2015 | 9 | 2015 |
| French Cinema: Counter-model, Cultural Exception, Resistances M O’Shaughnessy Neoliberalism and Global Cinema, 328-346, 2011 | 8 | 2011 |
| From Exploitation to Playful Exploits: The Rise of Collectives and the Redefinition of Labor, Life, and Representation in Neoliberal Japan S Hayashi Neoliberalism and Global Cinema, 180-196, 2011 | 8 | 2011 |
| The Significance of Beyond Hallyu Film and Television Content in South Korea's Mediasphere J Kim, MA Unger, KB Wagner Quarterly Review of film and Video 34 (4), 315-320, 2017 | 7 | 2017 |
