| “Plato as Protagonist in Sir Thomas Elyot’s Of the Knowledge which Maketh a Wise Man.” RW Haynes The Author as Character: Representing Historical Writers in Western …, 1999 | 6 | 1999 |
| “Betrayal and Responsibility in Henrik Ibsen’s A Doll’s House and Little Eyolf and Horton Foote’s The Young Man from Atlanta.” RW Haynes Baylor Journal of Theatre and Performance 4 (2 (Fall 2007)), 71-81, 2007 | 3 | 2007 |
| The Dramaturgy of the Early Tudor Dialogue RW Haynes University of Georgia, 1991 | 3 | 1991 |
| “Thomas Lupset’s A Treatise of Charitie: Dialogue as Charity in Action.” RW Haynes Renaissance Papers 1990, 19-26, 1990 | 2 | 1990 |
| "Sir Thomas Elyot's Transgressors and Transgressions: Conflicts of Obedience in Henrician England and Dionysian Syracuse." RW Haynes InVerbis 6 (2), 17-34, 2016 | 1 | 2016 |
| “Departure, Arrival, and Varieties of Silence: Narration and Dramaturgy in Horton Foote’s Beginnings and Farewell.” RW Haynes Southwestern American Literature 34 (2 (Spring 2009)), 29-44, 2009 | 1 | 2009 |
| “Utopia Transformed: The Calculated Indirection of Thomas Starkey’s Dialogue between Pole and Lupset.” RW Haynes Quidditas 30 ((2009)), 78-96, 2009 | 1 | 2009 |
| “The Kidders and the Disappointment Club: A Critical Theme in Horton Foote’s The Young Man from Atlanta.” RW Haynes Journal of American Drama and Theatre 18 (1 (Winter 2006)), 24-33, 2006 | 1 | 2006 |
| “The Nature of Nature in Horton Foote’s The Trip to Bountiful.” RW Haynes Southwestern American Literature 31 (2 (Spring 2006)), 9-17, 2006 | 1 | 2006 |
| Downplaying Erasmian Play: Humanism and Serious Politics in Thomas Starkey’s Dialogue between Reginald Pole and Thomas Lupset RW Haynes InVerbis 11 (1), 181-200, 2021 | | 2021 |
| Replacing the Romantic Plantation: Horton Foote’s Dramatic Engagement from Gone with the Wind (The Musical) to Convicts RW Haynes Skenè. Journal of Theatre and Drama Studies 5 (2), 81-100, 2019 | | 2019 |
| Three Dramatic Southerners in Depression New York: Stark Young, Tennessee Williams, and Horton Foote RW Haynes Reassessing the 1930s South. Ed. Karen D. Cox and Sarah E. Gardner, 2018 | | 2018 |
| Miller, Monica Carol. Being ugly: southern women writers and social rebellion RW Haynes CHOICE: Current Reviews for Academic Libraries 55 (2), 211-212, 2017 | | 2017 |
| “Anxious Engagements: Horton Foote and the South in Early Television.” RW Haynes Small-Screen Souths: Region, Identity, and the Cultural Politics of …, 2017 | | 2017 |
| “Hymnological Dramaturgy as Escape from Ideology in Horton Foote.” RW Haynes Skenè: Journal of Theatre and Drama Studies 3 (1), 105-120, 2017 | | 2017 |
| Shakespeare's creative legacies: artists, writers, performers, readers RW Haynes CHOICE: Current Reviews for Academic Libraries 54 (7), 1017-1018, 2017 | | 2017 |
| “The Sane Face of Texas: Pursuing the Decent Life in Horton Foote’s Films.” RW Haynes Critical Insights: Horton Foote. Ed. Robert W. Haynes., 224-237, 2016 | | 2016 |
| “Monuments, Memory, and Self-Location: Biographical Resources in Horton Foote’s Drama.” RW Haynes Critical Insights: Horton Foote. Ed. Robert W. Haynes., 152-173, 2016 | | 2016 |
| Critical Insights: Horton Foote Editor, Haynes, Robert W. Salem Press, 2016 | | 2016 |
| Castleberry, Marion. Blessed assurance: the life and art of Horton Foote RW Haynes CHOICE: Current Reviews for Academic Libraries 52 (6), 960-961, 2015 | | 2015 |
