| The relationship between community and subjectivity in Octavia E. Butler's Parable of the Sower CE Agustí Extrapolation (pre-2012) 46 (3), 351, 2005 | 40 | 2005 |
| Martin Crimp's theatre: Collapse as resistance to late capitalist society CE Agustí Walter de Gruyter, 2013 | 34 | 2013 |
| Strategies of Subversion: The Deconstruction of Madness in" Eva's Man, Corregidora", and" Beloved" CE Agusti Atlantis, 29-38, 2005 | 17 | 2005 |
| Postdramatism, Ethics, and the Role of Light in Martin Crimp's Fewer Emergencies (2005) M Aragay, C Escoda New Theatre Quarterly 28 (2), 133-142, 2012 | 11 | 2012 |
| Julie Taymor's" Titus"(1999): Framing Violence and Activating Responsibility CE Agustí Atlantis, 57-70, 2006 | 10 | 2006 |
| Martin Crimp at Sala Beckett, Barcelona M Aragay, C Escoda, E Monforte Contemporary Theatre Review 24 (3), 378-389, 2014 | 8 | 2014 |
| “Short Circuits of Desire:” Language and Power in Martin Crimp’s Attempts on Her Life CE Agustí ARIEL: A Review of International English Literature 36 (3-4), 2005 | 8 | 2005 |
| Crisis, Representation and Resilience: Perspectives on Contemporary British Theatre EMJRPP Co-editor with Clare Wallace Bloomsbury (Methuen Drama), 2022 | 7* | 2022 |
| I carve myself into my hands: The body experienced from within in ana mendieta's work and migdalia cruz's miriam's flowers C Escoda Agustí Hispanic review 75 (3), 289-311, 2007 | 6 | 2007 |
| ‘Her heart knows my heart for a brief moment’: Mediated Affect and Utopian Impulse in Many Moons (2011) by Alice Birch C Escoda Performing Ethos 8 (1), 19-34, 2018 | 3 | 2018 |
| Ethics, precariousness and the “inclination” towards the other in debbie tucker green’s dirty butterfly, Laura Wade’s Posh and Martin Crimp’s In the Republic of Happiness’ C Escoda Of Precariousness: Vulnerabilities, Responsibilities, Communities in Twenty …, 2017 | 2 | 2017 |
| Violence, Testimony and Ethics in Martin Crimp’s The Country and The City C Escoda Ethical Speculations in Contemporary British Theatre, 25-41, 2014 | 2 | 2014 |
| Hamlet y el actor, en busca del personaje (2011) de Denis Rafter C Escoda | 2 | |
| Perspectives from the cascade JR Prado-Pérez, C Wallace, E Monforte, C Escoda Crisis, Representation and Resilience: Perspectives on Contemporary British …, 2022 | | 2022 |
| States of emergency: Performing crisis C Wallace, C Escoda Crisis, Representation and Resilience: Perspectives on Contemporary British …, 2022 | | 2022 |
| Crisis, Representation and Resilience C Wallace, JR Prado-Pérez, E Monforte, C Escoda Crisis, Representation and Resilience, 1-256, 2022 | | 2022 |
| The Flipped Classroom in the English Studies Degree: Shakespeare’s Theatre C Escoda, E Monforte, E Massana, MI Seguro Gómez, M Tirado | | 2022 |
| The Flipped Classroom in the English Studies Degree: Contemporary Theatre in English C Escoda, E Monforte, E Massana, MI Seguro Gómez, M Tirado | | 2022 |
| Affects and the Development of Political Subjectivity: From Resilience to Agency in Kae Tempest’s Wasted C Escoda Affects in 21st-Century British Theatre: Exploring Feeling on Page and Stage …, 2021 | | 2021 |
| “Neoliberalismo y posfeminismo en Revolt. She Said. Revolt Again. de Alice Birch: Un manifiesto feminista para el siglo XXI” C Escoda Nerter, 32-41, 2020 | | 2020 |
