| Film remakes C Verevis Edinburgh University Press, 2006 | 413 | 2006 |
| Film Remakes, Adaptations and Fan Productions: Remake/Remodel K Loock, C Verevis Palgrave Macmillan, 2012 | 79 | 2012 |
| Introduction C Jess-Cooke, C Verevis Second Takes: Critical Approaches to the Film Sequel, 1–10, 2010 | 71* | 2010 |
| Transnational film remakes IR Smith Edinburgh University Press, 2017 | 42 | 2017 |
| Remaking Film C Verevis Film Studies 4 (1 (Summer)), 87–103, 2004 | 34 | 2004 |
| Transnational television remakes C Perkins, C Verevis Continuum 29 (5), 677-683, 2015 | 33 | 2015 |
| Re-viewing remakes C Verevis Film Criticism 21 (3), 1–19, 1997 | 32 | 1997 |
| Fear, cultural anxiety, and transformation: horror, science fiction, and fantasy films remade SA Lukas, J Marmysz Lexington Books, 2009 | 30 | 2009 |
| For Ever Hitchcock: Psycho and Its Remakes C Verevis After Hitchcock: Influence, Imitation, and Intertextuality, 15–29, 2006 | 27 | 2006 |
| Introduction: Remake/Remodel K Loock, C Verevis Film Remakes, Adaptations and Fan Productions: Remake/Remodel, 1–15, 2012 | 25 | 2012 |
| Remakes, sequels, prequels C Verevis The Oxford Handbook of Adaptation Studies, 267-84, 2017 | 22 | 2017 |
| Redefining the Sequel: The Case of the (Living) Dead C Verevis Second Takes: Critical Approaches to the Film Sequel, 11–29, 2010 | 21 | 2010 |
| New Millennial Remakes C Verevis Media of Serial Narrative, 2017 | 16 | 2017 |
| B is for Bad Cinema: Aesthetics, Politics, and Cultural Value C Perkins, C Verevis SUNY Press, 2014 | 16 | 2014 |
| Australian Film Theory and Criticism N King, C Verevis, D Williams Australian Film Theory and Criticism, Volume 1: Critical Positions, 3–16, 2013 | 15* | 2013 |
| Film Trilogies: New Critical Approaches C Perkins, C Verevis Palgrave Macmillan, 2012 | 15 | 2012 |
| Introduction: Transnational film remakes IR Smith, C Verevis Transnational film remakes, 1-18, 2017 | 13 | 2017 |
| Cultural value and viscerality in Sukiyaki Western Django: Towards a phenomenology of bad film J Stadler After taste: Cultural value and the moving image, 37-48, 2014 | 13 | 2014 |
| The Cinematic Return C Verevis Ann Arbor, MI: Michigan Publishing, University of Michigan Library, 2016 | 12 | 2016 |
| Minoritarian + Cinema C Verevis The Deleuze Dictionary, 165–167, 2005 | 11* | 2005 |
Claire PerkinsSenior Lecturer in Film and Television Studies, Monash UniversityVerified email at monash.edu
