| Digital art as ‘monetised graphics’: Enforcing intellectual property on the blockchain M Zeilinger Philosophy & Technology 31 (1), 15-41, 2018 | 188 | 2018 |
| Tactical entanglements: AI art, creative agency, and the limits of intellectual property M Zeilinger Meson Press, 2021 | 44 | 2021 |
| Rethinking affordance A Scarlett, M Zeilinger Media Theory 3 (1), 1-48, 2019 | 32 | 2019 |
| Dynamic fair dealing: creating Canadian culture online R Coombe, D Wershler, M Zeilinger University of Toronto Press, 2014 | 22 | 2014 |
| Art and Politics of Appropriation M Zeilinger University of Toronto (Canada), 2009 | 16 | 2009 |
| Generative adversarial copy machines M Zeilinger Culture Machine 20, 1-23, 2021 | 12 | 2021 |
| Chiptuning intellectual property: Digital culture between Creative Commons and moral economy M Zeilinger IASPM@ Journal 3 (1), 19-34, 2013 | 10 | 2013 |
| Sampling as analysis, sampling as symptom MJ Zeilinger Sampling media, 155-167, 2014 | 9 | 2014 |
| The Politics of Visual Indeterminacy in Abstract AI Art M Zeilinger Leonardo, 1-12, 2022 | 8 | 2022 |
| Appropriation and the authoring function of camera surveillance in Manu Luksch's Faceless M Zeilinger Eyes Everywhere, 262-273, 2013 | 8 | 2013 |
| Live coding the law: Improvisation, code, and copyright M Zeilinger Computer Music Journal 38 (1), 77-89, 2014 | 7 | 2014 |
| Introducing Dynamic Fair Dealing: Creating Canadian Digital Culture RJ Coombe, D Wershler, M Zeilinger Dynamic Fair Dealing: Creating Canadian Culture Online (Toronto: University …, 2014 | 5 | 2014 |
| Everything you’ve always wanted to know about the blockchain*(* but were afraid to ask Mel Ramsden) M Zeilinger Artists re: thinking the blockchain, 287-295, 2017 | 4 | 2017 |
| Mētic action in digital culture M Zeilinger Platform 8 (1), 8-23, 2017 | 3 | 2017 |
| Blockchain Vitalism M Zeilinger https://outland.art/blockchain-vitalism/, 2022 | 2 | 2022 |
| Towards a heuristic model for experiential AI: Analysing the Zizi show in the new real D Hemment, M Zeilinger, M Vidmar, J Elwes, H Warner, DS Pérez, R Hill DRS 2022, 2022 | 2 | 2022 |
| Can the blockchain finally create a commons? M Zeilinger | 2 | 2022 |
| Survival Interventions in GTA: On the Limits of Performance in Virtual Environments M Zeilinger Video Game Art Reader 2, 2018 | 2 | 2018 |
| Chipmusic, Out of Tune: Crystal Castles and the Misappropriation of Creative Commons-Licensed Sounds M Zeilinger Dynamic Fair Dealing. Creating Canadian Culture Online, 305-316, 2014 | 2 | 2014 |
| Remix cultures and the imagining of alternative intellectual property policies M Zeilinger Proceedings of the International Society of Electronic Arts Annual Meeting …, 2011 | 2 | 2011 |
Ashley ScarlettAlberta University of the ArtsVerified email at auarts.ca
