Apocalypses now: collective trauma, globalisation and the new Gothic sublime A Horner Trauma in Contemporary Literature, 35-50, 2014 | 34* | 2014 |
On the Turn: the ethics of fiction in contemporary narrative in English B Arizti, S Martinez-Falquina Cambridge Scholars Publishing, 2009 | 24 | 2009 |
Personal Trauma/Historical Trauma in Tim Winton’s Dirt Music B Arizti The Splintered Glass, 173-189, 2011 | 11 | 2011 |
The Crisis of Masculinity in Tim Winton's The Riders BA Martín Commonwealth: Essays and Studies 24 (2), 29, 2002 | 11 | 2002 |
Textuality as striptease: the discourses of intimacy in David Lodge's changing places and small world BA Martín Universidad de Zaragoza, 2001 | 10 | 2001 |
The Future That Has Happened: Narrative Freedom and Déjà lu in Jean Rhys’s Wide Sargasso Sea B Arizti A Breath of Fresh Eyre, 39-48, 2007 | 7 | 2007 |
Universidad de Zaragoza BA Martín ES. Revista de Filología Inglesa 34, 41-53, 2013 | 5 | 2013 |
New Possibilities of Neighbouring: Tim Winton’s Cloudstreet BA Martín Coolabah, 7-19, 2013 | 4 | 2013 |
“At Home with Zoe”: Becoming Animal in Charlotte Wood’s The Natural Way of Things B Arizti Humanities 9 (3), 96, 2020 | 3 | 2020 |
Gothic fiction in an australian landscape: an analysis of Gabrielle Lord's tooth and claw, Elizabeth Jolley's the well and Tim Winton's in the winter dark B Alarcos, M Pilar, B Arizti PhD dissertation. University of Zaragoza, 2012 | 2 | 2012 |
The Word Made Flesh: Law, Literature and Ethical Responsiveness in Daniel Berrigan's" The Trial of the Catonsville Nine"/La palabra se hizo carne: derecho, literatura y … B Arizti Atlantis, 29-44, 2010 | 2 | 2010 |
Beneath the Waves: Feminisms in the Transmodern Era–Introduction S Pellicer-Ortín, S Martínez-Falquina, B Arizti The European Legacy 26 (3-4), 223-227, 2021 | 1 | 2021 |
From Egology to Ecology: Elements of the Transmodern in Tim Winton’s Eyrie 1 B Arizti Transmodern Perspectives on Contemporary Literatures in English, 86-100, 2019 | 1 | 2019 |
Tim Winton’s Palimpsestuous Australianness in Island Home: A Landscape Memoir B Arizti J. Eur. Assoc. Stud. Aust., 2018 | 1 | 2018 |
“So you are from the islands?” the articulation of structural and historical trauma in Jamaica kincaid’s Lucy BA Martín ES Review. Spanish Journal of English Studies, 41-53, 2013 | 1 | 2013 |
Gothic Fiction in an Australian Landscape: An Analysis of Gabrielle Lord's Tooth and Claw, Elizabeth Jolley's The Well and Tim Winston's In the Winter Dark MP Baines Alarcos, B Arizti Universidad de Zaragoza, 2012 | 1 | 2012 |
Ethics and the Gothic in Jean Rhys's Wide Sargasso Sea. BA Martín Babel–AFIAL: Aspectos de Filoloxía Inglesa e Alemá, 7-26, 2009 | 1 | 2009 |
FATHERCARE IN TIM WINTON'S FICTION BA Martín Hungarian Journal of English and American Studies (HJEAS) 12 (1/2), 277-286, 2006 | 1 | 2006 |
Root identity–relation identity in Inga Simpson’s Understory: a life with trees B Arizti European Journal of English Studies 27 (3), 372-389, 2023 | | 2023 |
“How bold to mix the dreamings”: The Ethics and Poetics of Mourning in Alexis Wright'sThe Swan Book B Arizti The Poetics and Ethics of (Un-) Grievability in Contemporary Anglophone …, 2022 | | 2022 |