| The new right: the counter-revolution in political, economic and social thought DG Green (No Title), 1987 | 262 | 1987 |
| Parisian views S Rice Mit Press, 1999 | 139 | 1999 |
| Stillness and time: photography and the moving image D Green, J Lowry (No Title), 2006 | 107 | 2006 |
| Classified subjects: photography and anthropology: the technology of power D Green Ten/8 14, 1984 | 102 | 1984 |
| From presence to the performative: rethinking photographic indexicality D Green Where is the Photograph?, 47-60, 2003 | 90 | 2003 |
| The Casino of Pius IV G Smith Princeton Univ. Press, 1977 | 90 | 1977 |
| Sculpture and photography: envisioning the third dimension GA Johnson (No Title), 1998 | 83 | 1998 |
| ¿ Qué ha sido de la fotografía? D Green Gustavo Gili, 2007 | 69 | 2007 |
| On Foucault: disciplinary power and photography D Green The Camerawork Essays: Context and Meaning in Photography, 119-131, 1985 | 48 | 1985 |
| Where is the Photograph? D Green Photoworks, 2003 | 45 | 2003 |
| Inverted Odysseys S Rice Claude Cahun, Maya Deren, Cindy Sherman, 1999 | 43 | 1999 |
| Marking Time: Photography, Film and Temporalities of the Image D Green Stillness and Time: Photography and the Moving image, 9-21, 2006 | 33 | 2006 |
| Jealousy, pleasure and pain in Agnolo Bronzino's Allegory of Venus and Cupid G Smith Pantheon München 39 (3), 250-259, 1981 | 27 | 1981 |
| Disciples of light: photographs in the Brewster album G Smith Getty Publications, 1990 | 26 | 1990 |
| The Art of the Everyday: The Quotidian in Postwar French Culture T Bishop NYU Press, 1997 | 25 | 1997 |
| Cosimo I and the Joseph Tapestries for the Palazzo Vecchio G Smith Renaissance and Reformation/Renaissance et Réforme, 183-196, 1982 | 22 | 1982 |
| Photography and travel G Smith | 21 | 2012 |
| Talbot and Botany: The Bertoloni Album G Smith History of Photography 17 (1), 33-48, 1993 | 20 | 1993 |
| A Medici Source for Michelangelo's Doni Tondo G Smith Zeitschrift fur Kunstgeschichte 38 (1), 84-85, 1975 | 19 | 1975 |
| Bronzino's portrait of Stefano Colonna. A note on its Florentine provenance G Smith Zeitschrift für Kunstgeschichte 40 (3-4), 265-269, 1977 | 18 | 1977 |
