Del Viaje del Turista Al Viaje del Héroe. Mímesis Cinematográfica del Discurso Turístico Japonés Sobre España. El Caso de Andarushia (2011)[From a Tourist Journey to a Hero … M Centeno MIRAI Estudios Japoneses 1 (1), 93-111, 2017 | 11 | 2017 |
Introduction. The Misleading Discovery of Japanese National Cinema Centeno-Martín, P Marcos Arts 7 (4), 87, 2018 | 8 | 2018 |
Imágenes del «espíritu de reconstrucción». Hacia el redescubrimiento del documental japonés a través de la obra olvidada de Susumu Hani. M Centeno Bellaterra, 2016 | 8 | 2016 |
The limits of fiction: politics and absent scenes in Susumu Hani’s Bad Boys (Furyō Shōnen, 1960). A film re-reading through its script MP Centeno Martín Journal of Japanese and Korean Cinema 10 (1), 1-15, 2018 | 7 | 2018 |
The fight for self-representation: Ainu imaginary, ethnicity and assimilation MP Centeno Martín Film and Screen Media, University College Cork, 2017 | 7 | 2017 |
Contextualising NG Munro's filming of the Ainu Bear Ceremony MP Centeno Martin Japan Society Proceedings 154, 88-106, 2017 | 6 | 2017 |
Susumu Hani (1950–1960): The Theoretical and Practical Contribution to the Japanese Documentary and Youth Cinema. An Approach to Hani’s Case as a Precursor of the New Wave Centeno-Martín, P Marcos Ph. D. thesis, Universitat de València, València, Spain, 2015 | 6* | 2015 |
Postwar Narratives through Avant-garde Documentary: Tokyo 1958 and Furyo Shonen MP Centeno-Martín Persistently Postwar. Media and the Politics of Memory in Japan. Edited by …, 2019 | 5 | 2019 |
Transcultural Corporeity in Taiyozoku Youth Cinema. Some Notes on the Contradictions of Japaneseness in the Economic Miracle. M Centeno Büchner-Verlag, 2016 | 5 | 2016 |
Reediting the war in Asia: Japanese newsreels in Spain (1931-1945) MP Centeno Martin L'Atalante. Revista de Estudios Cinematograficos 29, 101-119, 2020 | 4* | 2020 |
Method directors. Susumu Hani and Yasujirō Ozu: a comparative approach across paradigms MP Centeno Martin Büchner-Verlag, 2018 | 4 | 2018 |
Transnational circulation of images of the Pacific War (1941-1945): The Japanese Empire seen through Spanish newsreels M Centeno Irish Journal of Asian Studies (IJAS) 3, 1-17, 2017 | 4 | 2017 |
Las grietas de la imagen. Una mirada a la trastienda de los primeros documentales etnográfico sobre el pueblo ainu (1897-1936) M Centeno Secuencias. Revista de historia del cine, 62-80, 2014 | 4* | 2014 |
Crónicas de Paisaje. Nuevas formas de subjetividad en la vanguardia documental japonesa MP Centeno Martin Ediciones Universidad Católica, 2020 | 3 | 2020 |
Legacies of Hani Susumu’s documentary school MP Martín-Centeno Arts 8 (3), 82, 2019 | 3 | 2019 |
Postwar Narratives and the Avant-garde Documentary MPC Martín Persistently Postwar: Media and the Politics of Memory in Japan, 41, 2019 | 3 | 2019 |
Comunicación visual de conflictos. La masacre de Nankín MP Centeno Martin Dykinson, 2018 | 3 | 2018 |
From Japan to Africa: Transnationality in Hani Susumu’s Theory and Cinematic Experience from Japan to Africa MP Centeno Martin Seibunsha, 2020 | 2 | 2020 |
Japan beyond its borders: transnational approaches to film and media Centeno-Martín, M P., N Morita Seibunsha, 2020 | 2 | 2020 |
Challenging eurocentric surveys: the transnational topic in film studies MP Centeno Martin Journal of Cinema and Media Studies Teaching Dossier 5 (2), 1-5, 2019 | 2 | 2019 |