| Imagination, Metaphor and Mythopeiea in Wordsworth, Shelley and Keats F Karadas Peter Lang, 2008 | 14 | 2008 |
| The Poetics of Shadows: The Double in Literature and Philosophy AHS Ng ibidem-Verlag/ibidem Press, 2012 | 6 | 2012 |
| Imagination, metaphor and mythopoeia the poetry of three major English romantic poets F Karadaş Middle East Technical University, 2007 | 4 | 2007 |
| The Collective Phallic Gaze, the Evil Eye and the Serpent in John Keats’ Lamia and Yashar Kemal’s To Crush the Serpent F Karadaş Folklor/Edebiyat 26 (102), 347-359, 2020 | 3 | 2020 |
| The Queer-Cyberspace of Jeanette Winterson’s’ The Powerbook: A Critique of St. Augustine’s Metaphysical Philosophy F Karadas Critique: Studies in Contemporary Fiction 63 (3), 357-370, 2022 | 1 | 2022 |
| Enlightenment Ideology Awry in Philip K. Dick’s Do Androids Dream of Electric Sheep? F Karadaş Journal of American Studies of Turkey, 145-162, 2021 | 1 | 2021 |
| Weaving and the Tarot as Apollonian Repressive Mechanisms in Tennyson’s “The Lady of Shalott” and Carter’s “The Lady of the House of Love” F KARADAŞ Söylem Filoloji Dergisi 5 (1), 160-175, 2020 | 1 | 2020 |
| Aphra Behn’in “Çapkın Denizci” ve Sadık Şendil’in “Kanlı Nigâr” Oyunlarında Ataerkil Sistemin Cinsiyet Etiketlerini Bozan Kadın Portreleri F Karadaş Gaziantep University Journal of Social Sciences 19 (2), 385-402, 2020 | 1 | 2020 |
| VICTORIAN DOCILITY NORMS SUBVERTED IN IBSEN’SA DOLL’S HOUSE AND SHAW’S CANDIDA F KARADAŞ Mustafa Kemal Üniversitesi Sosyal Bilimler Enstitüsü Dergisi 18 (47), 271-281, 2021 | | 2021 |
| Femininity as Genotext in the Works of 19th Century Female Writers F KARADAŞ Kadın/Woman 2000-Kadın Araştırmaları Dergisi 22 (1), 181-185, 2021 | | 2021 |
| MULTIVOCALITY, STORYTELLING AND THE DISRUPTIVE VOICE OF FEMININITY IN LESLIE MARMON SILKO’S CEREMONY F Karadaş Uluslararası Dil, Edebiyat ve Kültür Araştırmaları Dergisi 4 (1), 116-124, 2021 | | 2021 |
| THE SERPENT’S FANGS EMBEDDED IN THE HEEL: THE DIALOGIZATION OF AUTHORITY IN NAMIK KEMAL’S INTIBAH/EZEN AYAĞA YILANIN ÖCÜ: NAMIK KEMAL’İN İNTİBAH ROMANINDA OTORİTER SÖYLEMİN … F KARADAŞ Selçuk Üniversitesi Türkiyat Araştırmaları Dergisi 1 (48), 2020 | | 2020 |
| John Keats’ in Lamia Şiiri ve Yaşar Kemal’in Yılanı Öldürseler Romanında Eril Kolektif Bakış, Kem Göz ve Yılan F Karadaş Folklor/Edebiyat, 347, 2020 | | 2020 |
| Enlightenment, Utopia and Encarnalization of Swift’s Houyhnhnms in Carter’s Desire Machines of Doctor Hoffman F Karadaş Çankaya University Journal of Humanities and Social Sciences 13 (2), 141-154, 2019 | | 2019 |
| The Problem of Miniaturist Art as Reflection of Reality in Orhan Pamuk’s My Name is Red M Kirca, F Karadas The Poetics of Shadows: The Double in Literature and Philosophy, 123, 2012 | | 2012 |
| The Narrating Subject and The Monstrous Power of Speech in Edgar Allan Poe’s ‘The Cask of Amontillado’ F Karadaş Dil ve Edebiyat Dergisi 2 (2), 1-16, 2011 | | 2011 |
| Historicity, Narrative and the Construction of Monstrosity in John Gardner’s Grendel F Karadas Phenomenology/Ontopoiesis Retrieving Geo-cosmic Horizons of Antiquity: Logos …, 2011 | | 2011 |
| The monstrous power of speech in Edgar Allan Poe's" The Cask of Amontillado"/Edgar Allen Poe'nun'The Cask of Amontillado'adli eserinde konusma yeteneginin devasal gucu. F Karadas Interactions 16 (1), 99-109, 2007 | | 2007 |
| Criticism in context: an application of Wolfgang Iser's reader response theory to a realist, modernist and a postmodernist text F Karadaş Middle East Technical University, 2001 | | 2001 |
| Heterotopic Space in AS Byatt’s The Djinn in the Nightingale’s Eye F KARADAŞ | | |
