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Federico Freschi
Federico Freschi
Head of College of Art, Design & Architecture, Otago Polytechnic
Verified email at op.ac.nz
Title
Cited by
Cited by
Year
Postapartheid publics and the politics of ornament: Nationalism, identity, and the rhetoric of community in the decorative program of the New Constitutional Court, Johannesburg
F Freschi
Africa Today 54 (2), 27-49, 2007
302007
Troubling images: Visual culture and the politics of Afrikaner nationalism
F Freschi, B Schmahmann, L Van Robbroeck
Wits University Press, 2019
122019
Big Business Beautility: The Old Mutual Building, Cape Town, South Africa
F Freschi
The Journal of Decorative and Propaganda Arts 20, 39-57, 1994
111994
The Business of Belonging: Volkskapitalisme, Modernity and the Imaginary of National Belonging in the Decorative Programmes of Selected Commercial Buildings …
F Freschi
South African Historical Journal 61 (3), 521-549, 2009
102009
The Wits Art Museum: The continent's foremost collection of African and southern African art
F Freschi
de arte 44 (80), 63-69, 2009
82009
Imagining unity: the construction of an Imaginary of'unity in diversity'in the decorative programme of the Northern Cape Legislature building
F Freschi
Southern African Humanities 18 (2), 155-172, 2006
82006
Afrikaner nationalism, modernity and the changing canon of ‘high art’
F Freschi
na, 2011
72011
Art Deco, Modernism and modernity in Johannesburg: the case for Obel and Obel's ‘Astor Mansions’(1932)
F Freschi
de arte 32 (55), 21-35, 1997
61997
The fine art of fusion: Race, gender and the politics of South Africanism as reflected in the decorative programme of South Africa House, London (1933)
F Freschi
de arte 40 (71), 14-34, 2005
52005
Imagining fusion: the politics of South Africanism as reflected in the decorative programme of the Pretoria City Hall (1935)
F Freschi
de arte 39 (69), 4-25, 2004
52004
Dancing in Chains
F Freschi
African arts 44 (2), 42, 2011
42011
The politics of ornament Modernity, Identity, and Nationalism in the Decorative Programmes of Selected South African Public and Commercial Buildings 1930–1940
F Freschi
42006
Form Follows Façade: The Architecture of WH Grant, 1920–1932.
F Freschi
Design Issues 20 (2), 2004
42004
Other Views: Art History in (South) Africa and the Global South
F Freschi
Diogenes 58 (3), 93-101, 2011
32011
“UNITY IN DIVERSITY” The representation of white nationalisms in the decorative programmes of public buildings in the 1930s
F Freschi
na, 2011
32011
A great seduction: the UCT Irma Stern Museum, Rosebank, Cape Town: collecting and curating
F Freschi
de arte 46 (84), 92-101, 2011
22011
Circa on Jellicoe: Blurring the boundaries between public and private
F Freschi, N Lowe
de arte 45 (82), 76-82, 2010
22010
Art Deco, modernity, and the politics of ornament in South African architecture, 1930–1940
F Freschi
The Routledge Companion to Art Deco, 253-270, 2019
12019
Great Zimbabwe and 'Africanness'
F Freschi
Architectural Review 237 (1418), 114-117, 2015
12015
From Volksargitektuur to Pretoria Regionalism: Afrikaner Nationalism, Architecture, and the Imaginary of High Culture, 1948–76
F Freschi
Colloquium Proceedings, 90, 2011
12011
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