| SoundCloud and Bandcamp as alternative music platforms D Hesmondhalgh, E Jones, A Rauh Social Media+ Society 5 (4), 2056305119883429, 2019 | 112 | 2019 |
| DIY Music and the Politics of Social Media E Jones Bloomsbury Academic, 2021 | 33 | 2021 |
| DIY and Popular Music: Mapping an Ambivalent Relationship Across Three Historical Case Studies E Jones Popular Music and Society, 2019 | 25 | 2019 |
| Remix’s retreat? Content moderation, copyright law and mashup music R Brøvig-Hanssen, E Jones new media & society 25 (6), 1271-1289, 2023 | 19 | 2023 |
| What does Facebook ‘afford’ do-it-yourself musicians? Considering social media affordances as sites of contestation E Jones Media, Culture & Society, 0163443719853498, 2019 | 18 | 2019 |
| The role of mashup music in creating Web 2.0’s democratic promise E Jones Convergence 27 (4), 1112-1128, 2021 | 11 | 2021 |
| Competing sounds? Podcasting and popular music E Jones, J Morris Radio Journal: International Studies in Broadcast & Audio Media 20 (1), 3-15, 2022 | 7 | 2022 |
| The slow sublime and 9/11: Insecurity and fear in William Basinski’s the disintegration loops E Jones Music and Politics 8 (1), 2014 | 7 | 2014 |
| Learning from inexperience: consumption ‘made strange’ in the digital music economy E Jones Popular Music 37 (3), 487-491, 2018 | 3 | 2018 |
| Platform DIY: Examining the impact of social media on cultural resistance in contemporary DIY music EN Jones University of Leeds, 2018 | 3 | 2018 |
| Book Review: Spotify Teardown: Inside the Black Box of Streaming Music E Jones Convergence 25 (4), 782-785, 2019 | 2 | 2019 |
| “I do it for the love”: Pop music and aspirational labour E Jones IASPM Andrew Goodwin Prize Essay, 2017, 2017 | 2 | 2017 |
| Remiksens retrett? Plattformreguleringens innvirkning på mashup-musikk R Brøvig-Hanssen, E Jones Norsk medietidsskrift 27 (3), 1-17, 2020 | 1 | 2020 |
| Locating labour subjectivities in contemporary popular music texts E Jones Mixing Pop and Politics, 108-119, 2022 | | 2022 |
| Gotye ft. Kimbra,“Somebody That I Used To Know”(2011) E Jones One-Hit Wonders: An Oblique History of Popular Music, 259, 2022 | | 2022 |
| Popular Music in the Post-Digital Age: Politics, Economy, Culture, and Technology. Edited by Ewa Mazierska, Les Gillon and Tony Rigg. New York: Bloomsbury … E Jones Popular Music 39 (1), 146-148, 2020 | | 2020 |
| Schooling New Media: Music, Language, and Technology in Children's Culture. By Tyler Bickford. New York: Oxford University Press, 2017. 202 pp. 9780190654146 E Jones Popular Music 37 (3), 517-519, 2018 | | 2018 |
| Notes on MASHED Interview and Survey Methods E Jones, R Brøvig Parody in the Age of Remix. Mashup Creativity vs. the Takedown, 231, 0 | | |
David HesmondhalghUniversity of LeedsVerified email at leeds.ac.uk
