| On viewing three paintings by Jenny Saville A Rowley Generations and geographies in the visual arts: Feminist readings, 1996 | 39 | 1996 |
| Helen Frankenthaler A Rowley IB Tauris, 2007 | 27 | 2007 |
| Painting in a “Hybrid” Moment A Rowley, G Pollock Liverpool University Press, and Tate Liverpool, 2003 | 9 | 2003 |
| An introduction to Bracha Lichtenberg-Ettinger's Traumatic Wit (h) ness-Thing and Matrixial Co/in-habit (u) ating A Rowley parallax 5 (1), 83-88, 1999 | 6 | 1999 |
| Plan: Large Woman or Large Canvas? A confusion of Size with Scale A Rowley Blackwell, 2001 | 3 | 2001 |
| Generations and geographies in the visual arts: Feminist readings E Bronfen, G Pollock Routledge, 1996 | 3 | 1996 |
| Between Les Rendez-vous d’Anna and Demain on Déménage: m (o) ther inscriptions in two films by Chantal Akerman A Rowley Studies in the Maternal 2 (1), 2010 | 2 | 2010 |
| The Fourth Dimension: An Interview with Doug Johns’ A Rowley Prestel, 2006 | 2 | 2006 |
| Painting History A Rowley | 2 | 2001 |
| Lapses of Taste A Rowley Women’s Art Magazine, 17-19, 1995 | 2 | 1995 |
| A Painter’s Hesse A Rowley Prestel, 2006 | 1 | 2006 |
| Exhibiting Martha Rosler? A feminist response to ‘martha rosler: positions in the life world' A Rowley | 1 | 2001 |
| They said it would never happen P Bowman, J Crawford, A Rowley PARALLAX-LEEDS THEN LONDON- 5 (1), 1-2, 1999 | 1 | 1999 |
| Wildflowers, women and the law: Alison Rowley on Jo Darbyshire A Rowley Women's Art Magazine, 30-31, 1996 | 1 | 1996 |
| Lapses of taste: Alison Rowley on Dorothea Tanning A Rowley Women's Art Magazine, 16-20, 1995 | 1 | 1995 |
| Helen Frankenthaler: Something new in terms of nature A Rowley Journal of Contemporary Painting 9 (1), 9-25, 2023 | | 2023 |
| From the Other Side at Documenta 11 (2002) A Rowley Moving Image Review & Art Journal 8 (1-2), 148-155, 2019 | | 2019 |
| Griselda Pollock and the Spaces of Writing Painting A Rowley Images. Journal of Visual and Cultural Studies 7, 71-93, 2017 | | 2017 |
| Between Fiction and Documentary: The'Scandalous property'of'realness' in Chantal Akerman's filmmaking AJ Rowley | | 2016 |
| Paul Neagu and Touch A Rowley | | 2015 |
