| All the Park’s a Stage: Westworld as the Metafictional Frankenstein M Sebastián Martín ES Review. Spanish Review of English Studies, 51-67, 2018 | 14* | 2018 |
| The Beautification of Dystopias across Media: Aesthetic Ambivalence from We to Black Mirror M Sebastián-Martín Utopian Studies 32 (2), 277-295, 2021 | 6 | 2021 |
| Refabricating Individualism and Commodifying Anti-Capitalism: Melodramatic SF and VOD Spectatorship M Sebastián-Martín Science Fiction Studies 48 (2), 332-353, 2021 | 3 | 2021 |
| Don Quixote as gamer? Theorizing new media quixotism through contemporary sf television M Sebastián-Martín Science Fiction Film & Television 15 (2), 193-218, 2022 | 2 | 2022 |
| Subverting or Reasserting? Westworld (2016-) as an Ambiguous Critical Allegory of Gender Struggles M Sebastián-Martín 452ºF. Revista de Teoría de la literatura y Literatura Comparada, 129-145, 2021 | 2 | 2021 |
| Between Therapy and Revolution: Mr. Robot’s Ambivalence Toward Hacker Masculinity M Sebastián-Martín Detoxing Masculinity in Anglophone Literature and Culture: In Search of Good …, 2023 | 1 | 2023 |
| De-Automating Capitalist Automation (Review of J. Jesse Ramírez's Against Automation Mythologies: Business Science Fiction and the Ruse of the Robots [2021]) M Sebastián-Martín Science Fiction Studies 49 (1), 191-195, 2022 | 1 | 2022 |
| Silicon Valley as Cult? Mystifying and Demystifying Surveillance Capitalism in Alex Garland’s Devs (2020) M Sebastián-Martín SFRA Review 41 (4), 195-200, 2021 | 1 | 2021 |
| The Franchise Devouring Itself: A Critical Analysis of the Marvel Cinematic Universe’s Reflexive Turn M Sebastián Martín REDEN. Revista Española de Estudios Norteamericanos 5 (2), 20-42, 2024 | | 2024 |
| Gendered Geographies across Time: I Early Researchers’ Seminar for Science and Speculative Fiction, University of Salamanca, Spain, March–June 2023 BH Ramos, M Sebastián-Martín Utopian Studies 35 (1), 299-303, 2024 | | 2024 |
| Theodor Adorno Meets Dystopian Literature (Review of Critical Theory and Dystopia, by Patricia McManus [2022]) M Sebastián-Martín Science Fiction Studies 51 (1), 114-117, 2024 | | 2024 |
| More Cracks in the Black Mirror? Ambivalences of the Digital Age’s Most Iconic Dystopia M Sebastián-Martín Femspec 23 (1), 9-16, 2023 | | 2023 |
| Recreando a Frankenstein: incorporación del cine digital creativo a la asignatura de “Estudios comparados de cine y literatura” PJ Pardo García, L Bausela Buccianti, M Sebastián Martín, ... | | 2023 |
| Some Thoughts on Guest-Editing a Special Issue M Sebastián-Martín Femspec 23 (2), 124-189, 2023 | | 2023 |
| Conceptualizando la belleza distópica: las ambivalencias estéticas y políticas de las distopías tecnológicas en literatura y televisión M Sebastián-Martín Mundos (Im)posibles: pasado, presente y futuro 3, 19-28, 2023 | | 2023 |
| Resumen de tesis. Thinking through high-tech hell: a theory of the new media dystopia M Sebastián Martín | | 2023 |
| Review of Alternative Masculinities in Feminist Speculative Fiction: A New Man by Michael Pitts M Sebastián-Martín Science Fiction Film and Television 16 (1), 213-217, 2023 | | 2023 |
| Moving Beyond the Pandemic: English and American Studies in Spain AI Armendáriz, AL Lafuente, AP Díaz, AI Bigalondo, AS Bacaicoa, ... Ed. Universidad de Cantabria, 2022 | | 2022 |
| Allegorising Surveillance Capitalism: Westworld's Science Fictional and Metafictional Pastiche M Sebestián-Martín Moving Beyond the Pandemic: English and American Studies in Spain, 224-230, 2022 | | 2022 |
| Review of Liz W. Faber's The Computer Voice: From Star Trek to Siri M Sebastián-Martín Science Fiction Film & Television 15 (3), 372-376, 2022 | | 2022 |
Sara Segura-ArnedoUniversidad de SalamancaVerified email at usal.es
