| ‘Quality television’in the making: The cases of Flanders and Israel N Lavie, A Dhoest Poetics 52, 64-74, 2015 | 31 | 2015 |
| Israeli drama: constructing the Israeli ‘quality’television series as an art form N Lavie Media, Culture & Society 37 (1), 19-34, 2015 | 30 | 2015 |
| Constructing ethno-national differentiation on the set of the TV series, Fauda N Lavie, A Jamal Ethnicities 19 (6), 1038-1061, 2019 | 15 | 2019 |
| Justifying trash: Regulating reality TV in Israel N Lavie Television & New Media 20 (3), 219-240, 2019 | 11 | 2019 |
| Reality’television critique in Israel: How ‘quality’became ‘morality N Lavie Cultural Sociology 10 (4), 502-522, 2016 | 10 | 2016 |
| Resisting subalternity: Palestinian mimicry and passing in the Israeli cultural industries A Jamal, N Lavie Media, Culture & Society 42 (7-8), 1293-1308, 2020 | 8 | 2020 |
| Subaltern agency in the cultural industries: Palestinian creative labor in the Israeli series Fauda A Jamal, N Lavie International Journal of Communication 14, 19, 2020 | 6 | 2020 |
| Introduction to the special issue on global tastes: The transnational spread of non-Anglo-American culture N Lavie, S Varriale Poetics 75, 101388, 2019 | 6 | 2019 |
| The Y Generation Myth: young Israelis’ perceptions of gender and family life N Lavie, A Kaplan, N Tal Journal of Youth Studies, 2021 | 4 | 2021 |
| Ethical dilemmas of minority creative workers in the cultural industries: Palestinian actors in Israeli films and dramas A Jamal, N Lavie American Journal of Cultural Sociology 11 (4), 459-479, 2023 | 3 | 2023 |
| The constructed quality of Israeli TV on Netflix: The cases of Fauda and Shtisel N Lavie Critical Studies in Television 18 (1), 62-80, 2023 | 3 | 2023 |
| Self-categorization, intersectionality and creative freedom in the cultural industries: Palestinian women filmmakers in Israel A Jamal, N Lavie Ethnic and Racial Studies, 1030-1050, 2021 | 3 | 2021 |
| Israeli TV creators’ social justifications Y Gozansky, N Lavie Popular Communication 19 (4), 295-308, 2021 | 2 | 2021 |
| Media Industries in Crisis: What COVID Unmasked V Mayer, N Lavie, M Banks Taylor & Francis, 2024 | 1 | 2024 |
| Unveiling the “Totem”: Haredi Newspapers During COVID-19 N Lavie, Y Hashiloni-Dolev, O Shamir Contemporary Jewry, 1-22, 2023 | 1 | 2023 |
| ‘We are merely furniture’: Palestinian actors and actresses react to rationalization and racialization processes in the Israeli TV market N Lavie, A Jamal European Journal of Cultural Studies 25 (4), 1099-1117, 2022 | 1 | 2022 |
| Hope and Creative Work in Conflict Zones: Theoretical Insights from Israel JAL Noa Sociology, 2021 | 1* | 2021 |
| Trapped in Reality: Justification and Capitalism in the Discourse of Reality TV Creators in Israel N Lavie Media Industries 7 (1), 2020 | 1 | 2020 |
| The Y Generation Myth: Perceptions of Young Israelis toward Gender and Family Life N Lavie, A Kaplan, N Tal The Academic College of Tel Aviv-Jaffa, School of Government and Society …, 2019 | 1 | 2019 |
| Epilogue: Learning from the Pandemic of 1918 M Banks, V Mayer, N Lavie Media Industries in Crisis, 248-252, 2024 | | 2024 |
Alexander DhoestUniversity of AntwerpEmail verificata su uantwerpen.be
