Semiotic description of music structure: An introduction to the Quaero/Metiss structural annotations F Bimbot, G Sargent, E Deruty, C Guichaoua, E Vincent AES 53rd International Conference on Semantic Audio, P1-1, 2014 | 22 | 2014 |
Modèles de compression et critères de complexité pour la description et l'inférence de structure musicale C Guichaoua Université Rennes 1, 2017 | 12 | 2017 |
The Tonnetz Environment: A Web Platform for Computer-aided “Mathemusical” Learning and Research C Guichaoua, J Besada, E Bisesi, M Andreatta 13th International Conference on Computer Supported Education, 680-689, 2021 | 8 | 2021 |
Dictionary learning for audio inpainting C Guichaoua Report HAL Id: Dumas-00725263, HAL Archives-Ouvertes. Available online: http …, 2012 | 7 | 2012 |
Reinterpreting and extending anatol vieru’s periodic sequences through the cellular automata formalisms P Lanthier, C Guichaoua, M Andreatta Mathematics and Computation in Music: 7th International Conference, MCM 2019 …, 2019 | 6 | 2019 |
Music genre descriptor for classification based on Tonnetz trajectories E Karystinaios, C Guichaoua, M Andreatta, L Bigo, I Bloch Journées d'Informatique Musicale, 2020 | 4 | 2020 |
CosmoNote: A Web-based Citizen Science Tool for Annotating Music Performances L Fyfe, D Bedoya, C Guichaoua, E Chew Web Audio Conference, 2021 | 3 | 2021 |
Generating Multiple Hierarchical Segmentations Of Music Sequences Using Adapted Correlative Matrices P Lascabettes, C Guichaoua, E Chew 19th Sound and Music Computing Conference (SMC 2022), 2022 | 2 | 2022 |
Inférence de segmentation structurelle par compression via des relations multi-échelles dans les séquences d'accords C Guichaoua, F Bimbot Journées d'Informatique Musicale (JIM 2018), 2018 | 2 | 2018 |
New hexachordal theorems in metric spaces with a probability measure M Andreatta, C Guichaoua, N Juillet | 2* | |
An Interactive Tool for Composing (with) Automorphisms in the Colored Cube Dance A Popoff, C Guichaoua, M Andreatta Mathematics and Computation in Music: 8th International Conference, MCM 2022 …, 2022 | 1* | 2022 |
From Dürer's Magic Square to Klumpenhouwer Tesseracts: On Melencolia (2013) by Philippe Manoury JL Besada Portas, C Guichaoua, M Andreatta Wiley, 2022 | | 2022 |
A Model of Rhythm Transcription as Path Selection through Approximate Common Divisor Graphs G Romero-García, C Guichaoua, E Chew 7th International Conference on Technologies for Music Notation and …, 2022 | | 2022 |
From Dürer's Magic Square to Klumpenhouwer Tesseracts: On Melencolia (2013) by Philippe Manoury JL Besada, C Guichaoua, M Andreatta Music Analysis 41 (1), 145-182, 2022 | | 2022 |
Conceptualizing chord relationships via spatial visualization within the Tonnetz M Andreatta, E Bisesi, C Guichaoua, JL Besada COGNITIVE PROCESSING 22 (SUPPL 1), 13-13, 2021 | | 2021 |
CosmoNote: Visualizing expressive music information layers and public engagement in annotating performed music structures D Bedoya, L Fyfe, C Guichaoua, E Chew CitSciVirtual 2021, 2021 | | 2021 |
ACTION D'AUTOMATES CELLULAIRES SUR DES SUITES INTERVALLIQUES P Lanthier, C Guichaoua, R Bourotte Journées d'Informatique Musicale (JIM 2020), 2020 | | 2020 |