The synthetic proposition: Conceptualism and the political referent in contemporary art N Shaked The synthetic proposition, 2017 | 32 | 2017 |
Museums and wealth: the politics of contemporary art collections N Shaked Bloomsbury Publishing, 2022 | 14 | 2022 |
Phantom sightings: Art after the Chicano movement N Shaked American Quarterly 60 (4), 1057-1072, 2008 | 13 | 2008 |
The 1993 Whitney Biennial: artwork, framework, reception N Shaked Journal of curatorial studies 2 (2), 142-168, 2013 | 7 | 2013 |
Feminism, instituting, and the politics of recognition in global capitalism A Dimitrakaki, N Shaked On Curating 52, 11-20, 2021 | 6 | 2021 |
Looking the other way: art philanthropy, lean government, and econo-fascism in the USA N Shaked Third Text 33 (3), 375-395, 2019 | 5 | 2019 |
Adrian Piper: a reader C Butler, D Platzker | 5 | 2018 |
Something out of Nothing: Marcia Tucker, Jeffrey Deitch and the De-Regulation of the Contemporary Museum Model N Shaked East of Borneo, July 16, 2012 | 4 | 2012 |
Getting to a Baseline on Identity Politics: The Marxist Debate N Shaked The Routledge Companion to African American Art History, 209-218, 2019 | 3 | 2019 |
So Much for Philanthropy: The Marciano and ‘All the Usual Suspects’—A Los Angeles Perspective N Shaked East of Borneo, 2020 | 2 | 2020 |
Art and Value–Museum Collections as Commons N Shaked Historical Materialism 25, 183-200, 2017 | 2 | 2017 |
Conceptual Art and identity politics: From the 1960s to the 1990s N Shaked The synthetic proposition, 27-59, 2017 | 1 | 2017 |
Adrian Piper: The body after conceptualism N Shaked The synthetic proposition, 60-112, 2017 | 1 | 2017 |
American Monument: Racism and Class N Shaked Oxford Art Journal 45 (2), 289-305, 2022 | | 2022 |
Museums and Wealth N Shaked Museums and Wealth, 1-288, 2022 | | 2022 |
Subjugated Knowledges, Revisionist Histories, and the Problem of Visibility: Carrie Mae Weems and Ken Gonzales-Day N Shaked In and Out of View: Art and the Dynamics of Circulation, Suppression, and …, 2021 | | 2021 |
Tools and Obstacles: A Conversation DJ Martínez, CA Wells, N Shaked In and Out of View: Art and the Dynamics of Circulation, Suppression, and …, 2021 | | 2021 |
Sonia Boyce: Reclassifying Classification N Shaked Afterall: A Journal of Art, Context and Enquiry 49 (1), 27-36, 2020 | | 2020 |
Terry Adkins: Infinity is Always Less Than One A Gartenfeld, K Mercer, G Moreno, N Shaked, G Tate Critique d’art, Catalogues monographiques, 2019 | | 2019 |
Words Toting Their Contexts: Rasheed Araeen’s Criticism of Racial Relations Bureaucracy N Shaked Afterall: A Journal of Art, Context and Enquiry 45 (1), 68-79, 2018 | | 2018 |