Stardom and celebrity: A reader S Redmond, S Holmes Sage, 2007 | 287 | 2007 |
A companion to Chinese cinema Y Zhang John Wiley & Sons, 2012 | 78 | 2012 |
Remaking Chinese Cinema: Through the Prism of Shanghai, Hong Kong, and Hollywood Y Wang University of Hawaii Press, 2017 | 61 | 2017 |
Cinema at the City's Edge: Film and Urban Networks in East Asia Y Braester, J Tweedie Hong Kong University Press, 2010 | 40 | 2010 |
Sinophone cinemas A Yue, O Khoo Springer, 2014 | 36 | 2014 |
Silent cinema and the politics of space JM Bean, A Kapse, L Horak Indiana University Press, 2014 | 33 | 2014 |
Chinese Films in Focus II C Berry Bloomsbury Publishing, 2017 | 30 | 2017 |
The Multilingual Screen: New Reflections on Cinema and Linguistic Difference T Mamula, L Patti Bloomsbury Publishing USA, 2016 | 29 | 2016 |
Violating Time: History, Memory, and Nostalgia in Cinema C Lee Bloomsbury Publishing USA, 2008 | 19 | 2008 |
Affective politics and the legend of Yamaguchi Yoshiko/Li Xianglan Y Wang Sino-Japanese transculturation: From the late nineteenth century to the end …, 2012 | 18 | 2012 |
“I am One of Them” and “They Are My Actors”: Performing, Witnessing, and DV Image-Making in Plebeian China Y Wang The New Chinese Documentary Film Movement: For the Public Record, 217-36, 2010 | 18 | 2010 |
Revisiting star studies: Cultures, themes and methods SQ Yu Edinburgh University Press, 2017 | 17 | 2017 |
Made in China, sold in the United States, and vice versa—transnational ‘Chinese’cinema between media capitals Y Wang Journal of Chinese cinemas 3 (2), 163-176, 2009 | 14 | 2009 |
Between the national and the transnational: Li Xianglan/Yamaguchi Yoshiko and pan-Asianism Y Wang IIAS Newsletter 38 (7), 2005 | 14 | 2005 |
Anna May Wong: a border-crossing ‘minor’star mediating performance Y Wang Journal of Chinese Cinemas 2 (2), 91-102, 2008 | 13 | 2008 |
Anna May Wong: a border-crossing ‘minor’star mediating performance Y Wang Journal of Chinese Cinemas 2 (2), 91-102, 2008 | 13 | 2008 |
Anna May Wong: a border-crossing ‘minor’star mediating performance Y Wang Journal of Chinese Cinemas 2 (2), 91-102, 2008 | 13 | 2008 |
New women of the silent screen: China, Japan, Hollywood C Russell Camera Obscura: Feminism, Culture, and Media Studies 20 (3), 1-13, 2005 | 10 | 2005 |
Crows and Sparrows: Allegory on a historical threshold Y Wang Chinese Films in Focus 25, 65-72, 2003 | 10 | 2003 |
Alter‐centering Chinese Cinema: The Diasporic Formation Y Wang A Companion to Chinese Cinema, 535-551, 2012 | 9 | 2012 |