| Being (a) part of nime: Embracing latin american perspectives JPM Avila, J Tragtenberg, F Calegario, X Alarcon, LPC Hinojosa, ... NIME 2022, 2022 | 5 | 2022 |
| Understanding Collective Gestural Improvisations; a Computational Approach HS Garcıa Universitat Pompeu Fabra Barcelona, 2006 | 3 | 2006 |
| Métodos para seguimiento de dedo en tiempo real A Pérez, H Solís Universidad Pompeu Fabra, 2005 | 3 | 2005 |
| The experience of teaching and collaborating with a young composer in the creation of an electro-acoustic piece H Solis III International Electro-Acoustic Music Meeting, Brasilia, 2003 | 3 | 2003 |
| Towards a Latin American NIME Research Community JPM Avila, J Tragtenberg, F Calegario, J Ramos, MM Lerner, I Corintha, ... Anais do XVIII Simpósio Brasileiro de Computação Musical, 298-301, 2021 | 1 | 2021 |
| Axial: A Sound Art Work of an Oceanographic Expedition H Solis Leonardo 48 (5), 481-481, 2015 | 1 | 2015 |
| Real-time distributed media applications in lans with osc T Jehan, D Overholt, HS Garcia, C Vaucelle Proceedings of the 1st Open Sound Control conference, Berkeley, 2004 | 1 | 2004 |
| Improvisatory music and painting interface H Solís García Massachusetts Institute of Technology, 2004 | 1 | 2004 |
| LA PRODUCCIÓN DE DISEÑO GRÁFICO A TRAVÉS DE LA PROGRAMACIÓN COMPUTACIONAL HS García | | 2019 |
| Sonode; a Collaborative Sound Map of Mexico City. HS Garcia ICMC, 2018 | | 2018 |
| División de Ciencias Sociales y Humanidades Departamento de Artes y Humanidades Licenciatura en Arte y Comunicación Digitales KCR Peñaloza, HS García, JFM Ramírez | | |
| SonusGO; mecánicas de juego para la creación de mapas sonoros colectivos HS García | | |
| El espacio físico como variable estructural en música HS García | | |
