| Trial Makes Perfect: Reading As-Habul Kahfi as a Response to the Critics MM Ibrahim The Nigerian Cinema: Reading Nigerian Motion Pictures, 137-150, 2016 | 6 | 2016 |
| Perspectives of plot in dramatic construction O Ojediran Methodist University, Ghana and Performing Art University of Ilorin, Kwara …, 2017 | 2 | 2017 |
| Language and Psychology in the Gendered Psyche. O Ojediran The Performer: Ilorin Journal of the Performing Arts, pp. 171-181, 2012 | 2 | 2012 |
| Social dysfunctionality and satirical reflection in Ahmed Yerima's selected plays O Ojediran, A Qasim Department of Theatre Arts, Benue State University, 2016 | 1 | 2016 |
| Exposition of Gendered Culture in two selected Nigerian Male Playtexts. O Ojediran New Frontiers: A Journal in the Humanities. 1 (1), pp.166-179, 2015 | 1 | 2015 |
| Overview of Feminism from Global Perspective. O Ojediran Springboard Journal, pp. 111-123, 2014 | 1 | 2014 |
| Speaking in an alien voice: A womanist comparison of the use of language by Scottish and West African female playwrights. O Ojediran Queen Margaret University, 2012 | 1 | 2012 |
| Ojediran, O. & Magbagbeola O. (2022): Death by Proxy in Ahmed Yerima’s Abobaku and Wole Soyinka’s Death and the King’s Horseman. O Ojediran, Oludolapo and Magbagbeola Dialetics of Texts, Performances and Theatrical Dynamics., pp.136-154, 2022 | | 2022 |
| Self-Expression, Self-definition and Self-choice in Efua T. Sutherland’s Edufa and Marriage of Anansewa. In: . O Ojediran Dialetics of Texts, Performances and Theatrical Dynamics, pp.16-35, 2022 | | 2022 |
| Preaching Morality in the garb of Immorality in some selected Nigerian Home Video Movies. O Arinde Tayo S. and Ojediran Journal of Creative Arts, Communication and Media Studies. 1 (2), pp. 95-109, 2022 | | 2022 |
| Renegotiating Gendered Self and Feminine Values in Two Selected Nigerian Films O Ojediran Feminism and Femininity in Nigerian Films, pp. 143-157, 2022 | | 2022 |
| Rejecting Stereotypical Cultural Vulnerability in the Works of Two Nigerian Female Playwrights O Ojediran Journal of Gender and Power 16 (2), pp.99-110, 2021 | | 2021 |
| Miss! Mrs!! Ms!!! O Ojediran Performing Arts Creative Writers, Series No. 35. A Publication of the …, 2021 | | 2021 |
| Subaltern Narratives and Socio-political Pageantry in Olu Obafemi’s Suicide Syndrome. K Ojediran, Oludolapo., Magbagbeola, Olayinka. & Olubukola Larger than His Frame II. Further Critical Studies and Reflections on Olu …, 2021 | | 2021 |
| Realities of Female Genital Mutilation in Funmi Fibresinma’s Film, Onikola. O Ojediran IMSU Theatre Journal, A Contemporary Journal of Arts and Theatre Practice 5 …, 2020 | | 2020 |
| The Form of Total Theatre Aesthetics in AbdulRasheed Abiodun Adeoye's Selected Works O Ojediran African Culture and Performance Dynamics in the Dramaturgy of, 3, 2019 | | 2019 |
| Female circumcision: Inexpressiveness and loss in Julie Okoh’s Edewede O Ojediran Gender and Development in Africa and Its Diaspora, 49-55, 2018 | | 2018 |
| Language Reconstruction and Female Creativity. In: O Ojediran Critical Perspectives on Female Nigerian Writers., pp.9-30, 2018 | | 2018 |
| The Status and Image of Women in Selected Works of Nigerian Writers. O Ojediran Critical Perspectives on Female Nigerian Writers., pp.253-270, 2018 | | 2018 |
| Politics, Power and Literary Imagination in Chris Iyimoga’s Son of a Chief. A Ojediran, O. & Adebajo The Performer (Special Edition): Ilorin Journal of the Performing Arts, pp …, 2018 | | 2018 |
