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Title
Cited by
Cited by
Year
Pop Music-Technology and Creativity: Trevor Horn and the Digital Revolution
T Warner
Routledge, 2017
2682017
Approaches to analysing recordings of popular music
T Warner
The Ashgate research companion to popular musicology, 149-164, 2016
392016
Narrating sound: the pop video in the age of the sampler
T Warner
Changing Tunes: The Use of Pre-existing Music in Film, 167-179, 2017
52017
Sign O'the times: The sampler
T Warner
Contemporary Music Review 15 (3-4), 49-55, 1996
31996
Quantitative listening: Temporal proportion in recordings of Mozart’s piano sonatas
TJ Warner
7th WSEAS International Conference on Acoustics & Music: Theory …, 2006
12006
De héroes y heroínas en lo imaginario social: el discurso amoroso del bolero
P Powrie, R Stilwell, A Aarseth, T Adorno, T Adorno, AG Robinbach, ...
Changing Tunes: The Use of Pre-existing Music in Film 19 (6), 1-87, 2006
2006
Listening for phi: temporal proportion in recordings of Mozart’s piano sonatas
T Warner
WSEAS Transactions on Mathematics 5 (8), 1000, 2006
2006
The Ghost in the Machine
T Warner
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