| Cities and cinema B Mennel Routledge, 2019 | 419 | 2019 |
| Queer cinema: Schoolgirls, vampires, and gay cowboys B Mennel Columbia University Press, 2012 | 99 | 2012 |
| Bruce Lee in Kreuzberg and Scarface in Altona: Transnational Auteurism and Ghettocentrism in Thomas Arslan's" Brothers and Sisters" and Faith Akin's" Short Sharp Shock" B Mennel New German Critique, 133-156, 2002 | 78 | 2002 |
| Turkish German cinema in the new millennium: Sites, sounds, and screens S Hake, B Mennel Berghahn Books, 2012 | 61 | 2012 |
| Spatial turns: space, place, and mobility in German literary and visual culture J Fisher, BC Mennel Rodopi, 2010 | 60 | 2010 |
| The representation of masochism and queer desire in film and literature B Mennel Springer, 2016 | 54 | 2016 |
| Criss-Crossing in Global Space and Time: Fatih Akın’s The Edge of Heaven (2007) B Mennel Transit 5 (1), 2009 | 33 | 2009 |
| Political nostalgia and local memory: The kreuzberg of the 1980s in contemporary german film B Mennel The Germanic Review: Literature, Culture, Theory 82 (1), 54-77, 2007 | 25 | 2007 |
| Local Funding and Global Movement: Minority Women's Filmmaking and the German Film Landscape of the Late 1990s B Mennel Women in German Yearbook: Feminist Studies in German Literature & Culture 18 …, 2002 | 22 | 2002 |
| Transcultural Space and Music: Fatih Akın’s Crossing the Bridge: The Sound of Istanbul (2005) B Kosta Spatial Turns, 343-360, 2010 | 19 | 2010 |
| Women at work in twenty-first-century European cinema B Mennel University of Illinois Press, 2019 | 18 | 2019 |
| Masochism, Marginality, and the Metropolis: Kutlug Ataman's Lola and Billy the Kid B Mennel Studies in 20th & 21st Century Literature 28 (1), 13, 2004 | 18 | 2004 |
| Rewriting home and migration: Spatiality in the narratives of Emine Sevgi Özdamar S Schade Spatial Turns, 319-341, 2010 | 17 | 2010 |
| The politics of space in the Cinema of Migration B Mennel German as a Foreign Language 3 (2010), 40-55, 2010 | 15 | 2010 |
| Le cinéma queer: écolières, vampires et cowboys gays BC Mennel L'Arche, 2013 | 12 | 2013 |
| Masochistic Fantasy and Racialized Fetish in Rainer Werner Fassbinder’s Ali: Fear Eats the Soul B Mennel One Hundred Years of Masochism, 191-205, 2000 | 12 | 2000 |
| From Utopian collectivity to solitary precarity: Thirty years of feminist theory and the cinema of women's work B Mennel Women in German Yearbook: Feminist Studies in German Literature and Culture …, 2014 | 10 | 2014 |
| Überkreuzungen in globaler Zeit und globalem Raum in Fatih Akıns Auf der anderen Seite B Mennel Kultur als Ereignis, 95-118, 2010 | 10 | 2010 |
| Shifting margins and contested centers: Changing cinematic visions of (West) Berlin B Mennel Berlin, The Symphonie Continues, Berlin: DeGruyter, 41-58, 2004 | 10 | 2004 |
| The Global Elsewhere: Ursula Biemann’s Multimedia Countergeography.” B Mennel The Collapse of the Conventional: German Film and Its Politics at the Turn …, 2010 | 9 | 2010 |
