| Falling for the Amphibian Man: Fantasy, Otherness, and Auteurism in del Toro’s The Shape of Water AN Adji IAFOR Journal of Media Communication and Film 6 (1), 2019 | 9 | 2019 |
| Psychological Condition of Richard Strickland in The Shape of Water AN Adji, A Bilbargoya Madah: Jurnal Bahasa Dan Sastra 9 (2), 165-178, 2018 | 6 | 2018 |
| Bentuk Komunikasi Teks pada Kumpulan Cerpen Corat-coret di Toilet Karya Eka Kurniawan A Furoidah, AN Adji Jurnal Retorika 12 (1), 1-13, 2009 | 5 | 2009 |
| ‘We cannot heal what we will not face’: dismantling the cultural trauma and the May’98 riots in Rani P Collaborations’ Chinese Whispers AN Adji, M Polain Journal of Graphic Novels and Comics 13 (1), 19-33, 2022 | 4 | 2022 |
| Assalamualaikum beijing repackaged: Habitus, symbolic power and Indonesian cultural production AN Adji Makara Hubs-Asia 23 (2), 161-171, 2019 | 4 | 2019 |
| Wanita dalam peringatan hari kartini: kajian pada opini republika, kompas, dan jawa pos AN Adji Metalingua 15 (2), 133-143, 2017 | 3 | 2017 |
| Seri Fantasteen Ghost Dormitory: Produksi Komersial Sastra Di Indonesia AN Adji Jurnal Pena Indonesia 2 (2), 102-120, 2016 | 3 | 2016 |
| Youth Matters: Shedding Light on Displacement in Syrian Girls’ Memoirs AN Adji Life Writing 18 (2), 225-241, 2021 | 2 | 2021 |
| Applying Burn’s Kineikonic Mode to a Dangdut Music Performance: Via Vallen’s Sayang at the 2018 Indonesian Choice Awards 5.0 NET AN Adji IAFOR Journal of Cultural Studies 5 (1), 5-30, 2020 | 2 | 2020 |
| Confessing love to the nation: Audrey Yu Jia Hui's works and identity reconstruction AN Adji, DA Arimbi, A Setijowati, N Wulan, KY Karnanta Journal of ASEAN Studies 6 (1), 9-115, 2018 | 2 | 2018 |
| Being a Sensible Woman: Hypertextuality in Grimm’s Fairy Tale and Juliet Marillier’s Wildwood Dancing AN Adji Jurnal POETIKA 5 (2), 109-122, 2017 | 2 | 2017 |
| From real life to story–and back again: using autobiographical fiction writing to understand self, others and family generations AN Adji New Writing 20 (4), 407-419, 2023 | 1 | 2023 |
| Circulation of Orhan Pamuk’s Benim Adım Kırmızı [My Name is Red] in contemporary Chinese-Indonesian literature SN Karali, AN Adji TEXT 25 (Special 63), 1-15, 2021 | 1 | 2021 |
| The fragmentation of the writing self: Using dialogic reflection to explore the writing process of an autobiographical novel AN Adji Journal of Writing in Creative Practice 14 (2), 143-159, 2021 | 1 | 2021 |
| Revealing the Re-Transformation of 9 Summers 10 Autumns AN Adji Paradigma 8 (1), 99-109, 2018 | 1 | 2018 |
| Multiculturalism in Almino Situmorang's Novel Spring AN Adji ATAVISME 20 (1), 53-67, 2017 | 1 | 2017 |
| Revolting Against Imperialism and Capitalism in Sherlock Holmes: a Game of Shadows (2011) AN Adji Humaniora 8 (2), 131-141, 2017 | 1 | 2017 |
| Negosiasi antara Homoerotika dan Budaya Machismo dalam Novel Aristotle and Dante Discover the Secrets of the Universe AN Adji ATAVISME 19 (2), 148-161, 2016 | 1 | 2016 |
| Dianxi Xiaoge: Yunnan Flavours, Cultural Ecology and the Digital Archiving of Rural Community AN Adji Women Vloggers, Cultures & Nature: Narrativising Rural Lifescape, 55-72, 2024 | | 2024 |
| Introduction: Digital Life Writing, Women Vloggers and Rural Life AN Adji Women Vloggers, Cultures & Nature: Narrativising Rural Lifescape, 1-16, 2024 | | 2024 |
Şebnem Nazlı KaralıWestern Australian Academy of Performing Arts (WAAPA)Email yang diverifikasi di our.ecu.edu.au
