| Post-object fandom: Television, identity and self-narrative R Williams Bloomsbury Publishing USA, 2015 | 194 | 2015 |
| Theme Park Fandom R Williams | 90* | 2020 |
| Theme Park Fandom: Spatial Transmedia, Materiality and Participatory Cultures R Williams Amsterdam University Press, 2020 | 90 | 2020 |
| “This Is the Night TV Died”: Television Post-Object Fandom and the Demise of The West Wing R Williams Popular Communication 9 (4), 266-279, 2011 | 71 | 2011 |
| Fan tourism and pilgrimage R Williams The Routledge companion to media fandom, 98-106, 2017 | 50 | 2017 |
| ‘It’s all my interpretation’ Reading Spike through the subcultural celebrity of James Marsters M Hills, R Williams European journal of cultural studies 8 (3), 345-365, 2005 | 46 | 2005 |
| Remembering ourselves, viewing the others: historical reality television and celebrity in the small nation R McElroy, R Williams Television & new media 12 (3), 187-206, 2011 | 41 | 2011 |
| Good Neighbours? Fan/producer relationships and the broadcasting field R Williams Continuum 24 (2), 279-289, 2010 | 39 | 2010 |
| It’s about power”: Spoilers and fan hierarchy in on-line Buffy fandom R Williams Slayage: The Online International Journal of Buffy Studies 11, 1-15, 2004 | 35 | 2004 |
| “Anyone who calls Muse a Twilight band will be shot on sight”: Music, distinction, and the “interloping fan” in the Twilight franchise R Williams Fan Identities and Practices in Context, 49-64, 2017 | 30 | 2017 |
| ‘Wandering off into soap land’: Fandom, genre and ‘shipping’The West Wing R Williams Participations 8 (1), 270-295, 2011 | 28 | 2011 |
| Post-Object Fandom: Television R Williams Identity and Self-narrative, London, Bloomsbury, 2015 | 24 | 2015 |
| From Beyond Control to In control: investigating Drew Barrymore’s feminist agency/authorship R Williams Stardom and celebrity: A reader, 111-125, 2007 | 24 | 2007 |
| Angel’s Monstrous Mothers and Vampires with Souls: Investigating the Abject in ‘Television Horror’ M Hills, R Williams Reading Angel: The TV Spin-Off With A Soul, 203-220, 2005 | 23 | 2005 |
| Ontological security, authorship, and resurrection: exploring Twin Peaks' social media afterlife R Williams Cinema Journal 55 (3), 143-147, 2016 | 22 | 2016 |
| Funko Hannibal in Florence: Fan Tourism, Transmediality, and Paratextual-Spatio-Play R Williams JOMEC Journal 14, 71-90, 2019 | 18* | 2019 |
| Desiring the doctor: identity, gender and genre in online fandom R Williams British Science Fiction Film and Television McFarland, 169, 2011 | 17 | 2011 |
| Transnational twilighters: A Twilight fan community in Norway ILK Bore, R Williams Melissa Click, Jennifer Stevens Aubrey, and, 2010 | 16 | 2010 |
| THE APPEAL OF THE PAST IN HISTORICAL REALITY TELEVISION: Coal House at War and its audiences R McElroy, R Williams Media history 17 (1), 79-96, 2011 | 14 | 2011 |
| Unlocking the Vampire Diaries: genre, authorship, and quality in teen TV horror R Williams Gothic Studies 15 (1), 88-99, 2013 | 13 | 2013 |
Matt HillsProfessor of Media and Film, University of HuddersfieldVerified email at hud.ac.uk
Matt HillsProfessor of Media and Film, University of HuddersfieldVerified email at hud.ac.uk